M.L. Miller here! Because you and I love the horror so much, I’ve decided to post a “Worth Noting” pick along with each of my “Best of the Best in Horror 2018” choices each day through October. The same rules apply. The film must have been released before September 30th, 2018 to the masses (no festival picks). This means that is available to view in theaters, On Demand, DVD/BluRay, or digital download. I’ve tried to indicate in the reviews how you can watch and enjoy these films.

How did I compile this list? Some of these films have similar themes to their counterparts in the main countdown. Some just missed the countdown by an inch or two. Others were just squozed in because there’s nothing like them out there. Horror is such a broad and varied genre that sometimes, while these choices may not represent the best—something about the film is worth taking notice to and that’s what this series of posts represent. I hope you’ll join me daily and don’t forget to like and share my picks with your pals across the web.

So let’s get to it! Chime in after the review and let me know what you think of the film, how on the nose or mind-numbingly wrong I am, and most importantly, come up with your own darn list…let’s go!

Worth Noting – SAM WAS HERE!

Made a few years ago, but recently released on Shudder, SAM WAS HERE doesn’t spoon feed, but it does have a lot of thrills and chills. Exhibiting that TWILIGHT ZONE-esque quality, SAM WAS HERE is a maze of a movie and definitely worth looking at. You can find SAM WAS HERE on Shudder, on iTunes and Amazon here!

SAM WAS HERE (2016)

aka NEMESIS, KILL/OFF
Directed by Christophe Deroo
Written by Christophe Deroo, Clement Tuffreau
Starring Rusty Joiner, Sigrid La Chapelle, Rhoda Pell, Hassan Galedary

A simple business trip leads to a country road filled with psychopaths, a weird radio station, and a red light in the sky in the TWILIGHT ZONE-esque waking nightmare that is SAM WAS HERE.


A businessman named Sam (Rusty Joiner) is sent on a road trip by his boss to sell…something door to door. His intention is to finish early so he can get back home to LA so he can celebrate his daughter’s birthday, but the road in front of him is seemingly endless and no one is answering their doors when he knocks on them. On top of that, there is a red light in the sky and after hearing about the murder of a little girl on the radio, he is pursued by masked madmen wearing masks, brandishing weapons, and under the assumption that Sam is the murderer. What ensues is a cat and mouse game with Sam getting his ass kicked and then kicking some ass in order to survive the ordeal. With no answers to any of his phone calls, Sam attempts to track down the radio station in order to find some semblance of sanity and possibly a way home.

Those of you who like their films wrapped up in a little package with everything explained in the end and not much to think about past the credits might want to move along when you run across SAM WAS HERE. This isn’t that type of movie. This is a surreal jaunt through hell with very little knowledge of the protagonist before he shows up on the dirt road to nowhere and even littler knowledge of the hows and whys he has ended up on this horrifying gauntlet he finds himself caught in.


People who want to understand everything are going to find themselves cursing at the screen with this one, but I couldn’t help but be wrapped up in the whole thing due to some fantastic direction from Christophe Deroo. While I had an assumption as to how this film was going to end, I continued to be entertained by the nightmarish descent Sam is trapped in filled with bizarre sights with little explanation like a David Lynch joint and sounds reminiscent of classic John Carpenter flicks. As Sam’s fight for survival ensues, the violence and the twisted imagery continues to intensify until Sam finds himself in a world alien to our own. I loved every level this film descended into as the camera is Sam’s constant companion through the entire film.

I have a ton of questions of my own as I feel there is a lot of symbology, underlying themes, and metaphoric dissection to be had with SAM WAS HERE. I can’t wait to try to crack this film’s eggshell with a rewatch, hopefully with someone else who might be able to share some insight on it. But just because I don’t get it all and just because it’s not all explained to me doesn’t mean I don’t know whether it’s good or not. SAM WAS HERE succeeds in creating a character worth investing in (Joiner is a pretty strong actor despite the ambiguity of his purpose). It sets him in a situation that is twisted, dire, and nightmarish and fills an hour and fifteen minutes with nightmare fuel men in masks, odd sounds over the radio and telephone, and an ending that will leave you wanting to talk about what just transpired. The experience of SAM WAS HERE can be described as simple and vague, but it also seems to have a purpose. I invite you to check this twisted fever dream a chance and maybe, between all of us, we can maybe figure it out.




WORTH NOTING SO FAR…


David Moscow’s DESOLATION
LEATHERFACE
GERALD’S GAME
ARE WE NOT CATS
GONJIAM: HAUNTED ASYLUM
THE HERETICS
B&B
TRAGEDY GIRLS
SOFT MATTER
VERONICA
NIGHT OF THE VIRGIN
AMERICAN GUINEA PIG: SONG OF SOLOMON
MISS ZOMBIE
PRIMAL RAGE
THE POUGHKEEPSIE TAPES
BOARDING SCHOOL
THE LODGERS
HELLRAISER: JUDGMENT
SAM WAS HERE


M. L. Miller is an original AICN @$$Hole formerly known as Ambush Bug/wordslinger/writer of wrongs/reviewer/interviewer/editor of MLMILLERWRITES.COM. Follow Mark on the Twitters @Mark_L_Miller.

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Don’t forget to share and like and finally, Happy Horror Holiday Month to Everyone!

CHILD ABDUCTION CHILDHOOD TRAUMA GHOST TOWN MASKED KILLER MURDER PARANOIA PURGATORY SUSPENSE TENSION TIME LOOP TRAPPED