M.L. Miller here! Because you and I love the horror so much, I’ve decided to post a “Worth Noting” pick along with each of my “Best of the Best in Horror 2018” choices each day through October. The same rules apply. The film must have been released before September 30th, 2018 to the masses (no festival picks). This means that is available to view in theaters, On Demand, DVD/BluRay, or digital download. I’ve tried to indicate in the reviews how you can watch and enjoy these films.

How did I compile this list? Some of these films have similar themes to their counterparts in the main countdown. Some just missed the countdown by an inch or two. Others were just squozed in because there’s nothing like them out there. Horror is such a broad and varied genre that sometimes, while these choices may not represent the best—something about the film is worth taking notice to and that’s what this series of posts represent. I hope you’ll join me daily and don’t forget to like and share my picks with your pals across the web.

So let’s get to it! Chime in after the review and let me know what you think of the film, how on the nose or mind-numbingly wrong I am, and most importantly, come up with your own darn list…let’s go!

Worth Noting – MISS ZOMBIE!

While this film was made in 2013, it wasn’t released wide until this year from the amazing Kino Lorber. Filmmaker SABU delivers a heartbreaking story of an undead that it outcasted and taken advantage of, offering up a powerful allegory on the state of the world today. Beautifully filmed in black and white (except for a powerful color sequence), MISS ZOMBIE is a zombie film like no other. You can find MISS ZOMBIE from Kino Lorber Amazon here!

MISS ZOMBIE (2013)

Directed by SABU
Written by SABU
Starring Makoto Togashi, Ayaka Komatsu, Tateto Serizawa, Tôru Tezuka, Tarô Suruga, Hihio Iwanaga, Riku Ohnishi, Takaya Yamauchi

Once must sift through a lot of crap in order to find a zombie movie of worth these days. While the zombie trend has seemed to sibsided a bit, that doesn’t mean that people just stopped making them. Anyone who follows my reviews should know that. But a zombie film worth watching, that’s a whole other enchilada. MISS ZOMBIE is such an enchilada.

In a world where the sight of zombies have become commonplace and society has moved on, a Japanese family orders a zombie as a servant. Despite some reluctance from some family members, the father receives a large package containing one zombie (Ayaka Komatsu), a note telling the owner to never feed it meat, and one gun to put her down if necessary. The story continues with the family adjusting to this new addition to their family and coming to eventually rely on it to survive.

The closest thing I’ve seen that I can compare MISS ZOMBIE with is FIDO, a story where zombies have become pets to the world. But while that story is more of a social commentary heavy on the commentary where MISS ZOMBIE is much more of a sobering and serious experience. What SABU does with this film is explore how fragile a family unit truly can be. While the family seems to be organized and even somewhat happy, the incorporation of the zombie holds a real mirror to the family to expose all of their faults. But SABU doesn’t stop there. He also explores the ugliness of our own culture as the zombie is able to maintain her own life on her own. So after performing her chores at the family’s home, the zombie is tormented by children, walks past other zombies living on the street like homeless people, and assaulted by thugs on the street. Zombies are a true sub-class of human in this society’s eyes and the torment humanity is capable of is illustrated in every slow step the zombie makes back home from her job every day. It’s a statement about the horrific capabilities of society. It’s a story about the ugliness of man against his own. This is a world where zombies exist, but the real monsters are the humans and while it is an intense horror story, it’s also one that makes us question what it takes to be truly human.

MISS ZOMBIE is shot in beautiful black and white. The harshness of this format provides a contrast that shows the cruel hypocrisy of what the world thinks as right and wrong, decent and savage. Miss Zombie is there to serve and her goal is clear. It’s the humans that can’t seem to accept her for what she is, thinking of her as a nanny, a lover, a sex object, a monster, whatever suits their needs at the time. It truly is horrifying seeing the way our world treats her.

Zombies have been used as a metaphor for many things, but never really with the sophistication and finesse as the way it is dealt with in MISS ZOMBIE. There are scenes of gore. There are scenes of masses of zombies attacking the innocent. But those aren’t the moments you will take away from this one. You’ll take away the injustices that are performed against Miss Zombie by those who call themselves decent people that is the real horror. MISS ZOMBIE is a sad and harrowing look at one woman’s struggle against a world set on taking her down step by step. There really is nothing like it in the zombie genre and I’d recommend it to anyone looking for more of a soulful experience along with their horror.




WORTH NOTING SO FAR…


David Moscow’s DESOLATION
LEATHERFACE
GERALD’S GAME
ARE WE NOT CATS
GONJIAM: HAUNTED ASYLUM
THE HERETICS
B&B
TRAGEDY GIRLS
SOFT MATTER
VERONICA
NIGHT OF THE VIRGIN
AMERICAN GUINEA PIG: SONG OF SOLOMON
MISS ZOMBIE


M. L. Miller is an original AICN @$$Hole formerly known as Ambush Bug/wordslinger/writer of wrongs/reviewer/interviewer/editor of MLMILLERWRITES.COM. Follow Mark on the Twitters @Mark_L_Miller.

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Don’t forget to share and like and finally, Happy Horror Holiday Month to Everyone!