THE CORRIDOR (2011)
Directed by Evan Kelly
Written by Josh MacDonald
Starring Matthew Amyotte, Nigel Bennett, Stephen Chambers, David Patrick Flemming, James Gilbert, Glen Matthews
Find out when and where to see this film on THE CORRIDOR website!
There are a lot of films out there today dissecting what it means to be a man in this day and age. From buddy comedies like STEPBROTHERS to dramatic feats of cinema like FIGHT CLUB, modern man has been cast as nothing more than a grown up child—gorging themselves on life’s treasures and throwing tantrums and acting out when life serves up lemons. THE CORRIDOR looks at similar themes as a quintet of college friends get together ten years after one of them has a mental breakdown. For much of the movie, the film focuses on the initial event and the power of the relationships these men share despite the fact that they haven’t seen each other in years. Then for the latter half of the film, the focus is on completely and utterly annihilating those relationships. Though it’s obviously filmed on the budgetary low, it’s this attention to the rise and fall of this relationship between these men that makes THE CORRIDOR one of the most terrifying new films of the year.
A trip to a cabin in the woods seems like a good idea for these five guys. It’s a chance to shoot the shit, play football, watch football, ride snow mobiles, complain about the wife and kids, and pound brewskis. Director Evan Kelly is patient with tossing out the weirdness right off the bat and instead focuses on the strengths and insecurities of these guys, but not in a way that makes it obvious that these insecurities will be played upon later in the film. And these guys are a pretty likable bunch, making it easy to forget this is a horror film, but when the crew stumble across a strange energy field in the middle of the woods, the viewer is quickly reminded that this is a horror film.
The horrifying last portion of THE CORRIDOR mixes modern pop psychology with the darkest of humor as these men are reduced to monsters tearing each other apart. The film not only scares but makes you think about the fragility and maybe the futility of male relations by showing man at its most animalistic. Not the feel good film of the year, for sure, but THE CORRIDOR definitely is a small indie film that packs a wallop with an ending that is both heartfelt and melancholy all at once. THE CORRIDOR is making its way around the festival circuit. Find out when and where to see this film on THE CORRIDOR website!