Directed by Faye Jackson
Written by Faye Jackson
Starring Constantin Barbulescu, Camelia Maxim & Catalin Paraschiv
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Though many won’t have the patience to sit through this somber little vampire film, I was fascinated at the way STRIGOI: THE UNDEAD shed light on a culture that I am completely unfamiliar with. Though we all know that Dracula comes from a setting much like the Romanian township featured in this film, his trek to England is what folks remember most about Stoker’s classic piece of lit. STRIGOI peels away all of the Hollywood glamour often attributed to the modern vampire and tells a straight up tale of the undead through the eyes of the extremely traditional and superstitious population of modern Romania.

I was fascinated by the traditions followed involving death and dying observed in this film. Though set in the modern day, STRIGOI is a somewhat timeless piece of cinema. The horror is almost secondary to the age-old rituals and mores observed by the town. Often played for its ludicrousness; such as sitting with a corpse for a fortnight drinking vodka to make sure the body does not rise as a vampire, the tradition is scoffed at by our protagonist Constantin (played by the deadpan Constantin Barbulescu), but writer/director Faye Jackson never makes fun of the culture. Her lens focuses on the intricacies of this culture’s superstition and how important it is within their day to day life.

This story of a couple murdered by a lynch mob who raises from the dead to enact revenge is a subtle slice of Romanian culture, and thus different than most vamp flicks out there now. STRIGOI: THE UNDEAD isn’t explosive or over the top. The gore isn’t in your face and the actors don’t ape for the camera. But it is an effective little horror film, destined to be overlooked unless you want to take a chance, heed my advice, and check it out.